Prelude and Toccata for cello solo
This work was composed for cellist Paul York, who recorded it for his 2014 solo CD on the Ablaze label. Prelude and Toccata was first presented 14 October 2012 in a private preview performance by Michal Schmidt at composer Andrea Clearfield’s Salon in Philadelphia. It was given its official world premiere by Paul York 25 October 2012 at the University of Louisville (Kentucky).
The Prelude opens with an arpeggiated figure in thirds. This arpeggiation becomes one of the two principal motives of this movement. A melodic neighbor gesture in measure five introduces the second of these principal motives. As the movement unfolds, these two ideas freely develop and combine. Beginning in a modality with an enharmonic-flat emphasis, the music later enters a more sharp-focused region before moving back to flats prior to closing on D major.
The Toccata is the longer of the two movements and reveals itself to be in a type of traditional rondo form. Centered in an e-minor modality, the movement opens with an aggressive, syncopated figure. This initial figure acts as a kind of “engine” throughout the movement, leading into a succession of diverse musical ideas connected primarily through rhythm. The half-step introduced in the first measure also becomes a principal motivic idea.
Paul York’s Ablaze recording of this work is featured below; it was recorded in Louisville on January 3, 2012.
The score for Prelude and Toccata also may be found below. It may be printed out once for personal use. In exchange for the free music, I ask that you please (a) do not make copies for others; (b) do not post it anywhere for others to print out; and (c) let me know of any performances of the work you may present.
Thank you for your consideration, and I hope you enjoy the piece.
- Date completed:
- Audio excerpts:
- PDF Score:
- Beck_Prelude and Toccata (2011)